Iris Apfel, the textile expert, interior designer, and
fashion icon, renowned for her distinctive style that blended haute couture
with bold accessories, passed away at the age of 102. Born on August 29, 1921,
Apfel gained fame for her unconventional fashion choices, often combining
feather boas, chunky beads, and statement jewelry with intricate designs.
Sporting her trademark black-rimmed glasses and vibrant red
lipstick, she left an indelible mark on every fashion event she attended. Her
unique style was celebrated in museum exhibits and the documentary film
"Iris," directed by Albert Maysles.
Apfel's late-in-life popularity soared on social media
platforms like Instagram and TikTok, where she amassed millions of followers by
championing her motto, "More is more & Less is a Bore."
Emphasizing the distinction between style and fashion, she advocated for
individuality and courage in one's aesthetic.
Never one to retire, Apfel continued her work in the fashion
industry, expressing disdain for the idea of stopping based on age alone. Her
dedication to her craft was evident through her collaborations, social media
presence, and insightful commentary on fashion and style.
Beyond her fashion influence, Apfel was a renowned expert on
textiles, owning a textile manufacturing company with her husband Carl. Their
restoration projects, including work at the White House under multiple
administrations, garnered widespread acclaim. Apfel's clientele included
esteemed figures like Estee Lauder and Greta Garbo.
In 2005, the Metropolitan Museum of Art honored Apfel with a
show titled "Rara Avis," showcasing her eclectic style characterized
by a mix of high-end and thrifted fashion. Her donations to museums like the
Peabody Essex Museum and plans for a dedicated gallery underscored her
commitment to preserving her fashion legacy.
Despite her passing, Iris Apfel's impact on the fashion
world remains profound. From collaborations with brands to her mantra of
individuality, her influence transcends generations, solidifying her status as
an iconoclast in the realm of style and design.